Meet Calandra

Hey, why write twice when I can recycle, reuse, regurgitate, oops, I mean repurpose a passage I’ve already written and in the process shamelessly promote one of my books? In the spirit of the aforementioned shameless self-(or, rather, self’s-book-)promotion, I hereby introduce you to someone who, despite her status as a fictional character inspired by a genuine human, is more real to me than many people I’ve met.

Meet Calandra, protagonist of my second book, A Song in the Storm:

ALTHOUGH CALANDRA KNEW the ancient walls surrounding her home city of Lucca had stood as they were for centuries, they seemed to be growing higher and closer, more constricting, more suffocating, with each passing day. She knew it was impossible—colossal earthen walls have a tendency to stay put—but she felt it all the same.

Barely 18, Calandra Agostini’s dark eyes burned with the intensity of her unfulfilled dreams. Lucca’s walls couldn’t contain those dreams. They were built to keep the city-state’s enemies out, but to her it felt as if the enemy had breached the ramparts and conspired to keep her in her place, a place in which she never felt completely at home.

Most people considered Calandra a beautiful girl. Indeed she was, but a photograph, had her family been able to afford one, could never have captured her beauty. In her presence, young men with smooth tongues stammered and suitors with shrewd tactics were forced to rethink their plans. Her allure was a revelation to those who knew her only from a distance. She was, in the most literal sense of the word, attractive, not because of her physical appearance alone, which was lovely in itself, but because of her strength and confidence tempered by an unaffected humility.

Then there was her voice.

The walls of Lucca today.

“A Song in the Storm” is here!

As threatened, er, I mean, promised, my new book is finally available.

The story follows a young woman living in Lucca, Italy, in 1924. Gifted with a magnificent singing voice, she is on the verge of fulfilling her dream of becoming a professional singer. Her dream is crushed when her father tells her she must go to America to marry a man she’s never met. Her odyssey takes her from an ocean crossing, through Ellis Island, to Boston’s North End, with a lot of twists and surprises along the way.

While the story is fictional, it is inspired by the true experience of my grandmother, who was from Italy and lived through a similar situation. It also realistically represents the difficult road traveled by Italian immigrants in the early 20th century, a reality not much different from other ethnic groups before and since.

Click on any of the following links to buy a copy of the paperback or Kindle version:

Amazon

My Amazon author page

CreateSpace store

Kindle version

For some reason, the Kindle version hasn’t been linked to the paperback version. That kind of thing sometimes takes a few days and it might be fixed by the time you read this. In any case, you can get any version you want.

Like my last book, A Slippery Land, this one started as a screenplay. Like that screenplay, this one had received some good notice. One of the most highly respected screenwriting instructors in the world had the following comments about the movie script:

There is so much to like about A SONG IN THE STORM it is hard to know where to begin.

Calandra is exactly who you want your hero to be. She is in a world she is unfamiliar with, searching for her dream while fighting off a life forced upon her.

And the endearing ending you provide just tops the great story off so well. Super job!

I hope you have a chance to read the book and have the same reaction. If you do, let me know what you think. Also, if you read the book, I would greatly appreciate it if you would add a review to Amazon and/or Goodreads.

Thank you for your support of independent authors!

Yes, Virginia, there is a Santa Barbara

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Santa Barbara Point from Shoreline Park

Here I sit in LAX waiting for my red-eye back to Boston. After nearly three weeks in Santa Barbara, CA, I’m hesitant to get on that aircraft. Back home, I’ve missed about seven feet of snow (actually, “I wouldn’t say I’ve been missing it, Bob.“) while relaxing in wall-to-wall days of 70’s and sunshine. They don’t call it the American Riviera for nothing. I’m trading in endless bike paths, ocean surf, and outdoor living for snowbanks, icicles, and a couple more months of cabin fever.

DSCN6184While in SB, I had the opportunity to get a taste of the SB International Film Festival. Film fests are a great experience. I’ve only been to four settings: SB, Austin, Martha’s Vineyard, and Boston. (No Toronto or Sundance yet. Those are the Big Ones. Cannes and Venice are above my pay grade.) The first two are legitimate festivals. Austin is the “writer’s festival” and thus holds a special place in my heart. By comparison, the other two are low key. I can understand MV hosting a smaller event. It tends to serve the local community rather than drawing large crowds from distant locations. You’d think, however, that a world-class city like Boston could pull off something more impressive. You’d be wrong.

Fortunately, Austin and SB make up for it. The two cities have a lot in common besides hosting credible film festivals. They’re both funky, artsy, and warm – things I appreciate in a city. All Austin needs is an ocean built next to it and real estate values increased about 1000% and they’d be identical.

Santa Barbara is the perfect setting for a film festival. First of all, it was Hollywood before Hollywood was Hollywood. Second, it’s home (or home-away-from-home) to many film notables, e.g. Oprah, Jeff Bridges, Kevin Costner, Jennifer Aniston, and a People-magazine-load of others.

luckypennyIn fact, I was having lunch at Lucky Penny last week, when who should sit down at the next table but Christopher Lloyd! I looked at him. He looked at me. Then he says, “Hey, aren’t you the guy who writes that ‘Scribbling in the Sand’ blog?” Wait. That was a dream. (Although someone I know really did see Mr. Lloyd at Lucky Penny. He obviously has great taste in pizza.)

The truth is I’ve never seen a single celeb here, but that’s just fine with me. And even more fine with them, I assume. What I did see are movies, some never before shown in America. Given my lack of time, transportation, and funds, I limited myself to only four of the dozens that filled the 12 day schedule: two Italian films and two Scandinavian. Interesting combination since those two ethnicities make up a significant percentage of my family’s background.

A great thing about film festivals is that you can see movies that might never be seen elsewhere. Many films are showcased at festivals to find distribution. Many – even some good ones – never see the light of day… or DVD or streaming. It was a privilege to see them. Even the duds.

Here’s a brief recap of the movies I saw:

Banana (Italy) was a comic but bittersweet story of a young Italian boy who obsesses about being a great Brazilian (?) soccer star, while wooing the older girl of his dreams. While trying to change his own life, the boy has a positive impact on those around him who have given up hope. I rated it a 3 out of a possible 5 on the film fest scale. It was worth seeing just for a couple of very funny gags.

Mafia and Red Tomatoes (La Nostra Terra, Italy) recounted the true story of an unlikely motley group of volunteers trying to start a farming cooperative on land seized from the Mafia. They face opposition from within and without. With equal parts social commentary, drama, comedy, and romance, the film was a delight. 4 out of 5.

Beatles (Finland), a movie based on a popular novel of the same name, was an engaging coming-of-age story about four Norwegian boys in the 1960’s whose dream is to be like their heroes, the Fab Four. As you might expect, the music was terrific – some straight Beatles songs and some quality covers. It nailed that era and its attitudes with such laser-like accuracy, I had flashbacks. The most astounding aspect to this film was that the four kids who played the leads and were absolutely great, had never acted before. Rated 4. (Note that, for obscure legal reasons, if this ever shows on American screens, it will be called “Yesterday”.)

Eila, Rampe and Baby Girl (Eila, Rampe Ja Likka, Finland) was, I suppose, the Scandinavian idea of a screwball comedy. Unfortunately, it played more like an extended sitcom. There were a few laughs but those were far outnumbered by the many embarrassing moments that had me squirming in my seat. It might have helped to be Finnish, I suppose. Rated 2.


My flight is getting ready to load, so I have to sign off and resign myself to an icy, snowy future, warmed only by memories of Santa Barbara. Oh, yeah, and the love of friends and family who await me. It ain’t all bad.

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