Thanx Redux

Back in my old Limping in the Light days, I had a series of posts named “Thanx#<insert installment number here>”. The series lasted 5 years. The first entry, Thanx#1, explained the motivation and meaning behind the series. The final entry was posted 7 years ago this Friday. Like this one, that was the day before Thanksgiving, appropriately enough.

Each post consisted of a list of people, events, objects, and concepts for which I was grateful at the time. For those that remain extant, I’m probably still grateful. For those that have passed the way of all flesh, I’m grateful for the memories. In the first few posts, I listed at least 10 things I was thankful for. After that, I had 20 or more items in my lists. Estimating, that makes for well over 300 objects of gratitude. (I confess there were repeats in there. My wife, children, and grandchildren deserved and received multiple mentions.)

I’d barely scratched the surface.

I won’t necessarily repeat the series, but there is always room for gratitude, especially in this season. Science is finally catching on to what the Bible has been telling us for eons, gratitude is a path to peace and joy and away from anxiety and depression. For those of us with MS, it can be a more difficult exercise, but it is also more important. It’s therapy.

Here’s a new list for this year, in no particular order… except the first two:

  1. Jesus. (A given.)
  2. My wife, children, and grandchildren. (You had to know that was coming.)
  3. 30,000 miles of cycling.
  4. My bikes.
  5. Two new books this year, this and this.
  6. Five repaired doors.
  7. King’s Cribbage.
  8. The Vineyard Square Wheelers.
  9. Biking NYC.
  10. Bark Thins.
  11. Healing and successful surgeries.
  12. MSSG, or whatever we’re calling ourselves these days.
  13. Cafe 12 and the Java Room.
  14. The late Paul Farmer and his legacy at PIH.
  15. Reunions.
  16. Baby laughter.
  17. The lives and work of Frederick Buechner and Fran McKendree; I miss them so.
  18. Freshly baked bread.
  19. Generous friends and family.
  20. Eggroll Cafe.
  21. Martha’s Vineyard.
  22. “Who Is MS?”
  23. Acadia National Park.
  24. Crossing guards.
  25. You… for reading.

Look, I could go on and on (…and on (…and on and…)) but you get the idea. This Thanksgiving, for your physical, mental, emotional, and spiritual well-being, I suggest you make a list for yourself. If you can’t quickly come up with at least 20, you’re not trying hard enough!

Scenes from a novel…

The following photos capture locales in Boston that serve as settings for my newest novel, “Only Love Can Break Your Leg”.

If you’ve read it, I hope you enjoy the background. If you haven’t, maybe this will pique your interest. Enjoy.

Autumn on the Bike Path*

[This post was originally published on my other blog, Limping in the Light, ten years ago. It’s every bit as relevant today as it was then. Timeless writing is the best writing.]

Fall is a two-edged sword.  Yes, there is the the spectacular foliage.  Yes, the dreaded three H’s – hazy, hot, and humid – succumb to the three C’s – clear, cool, and crisp. But it also means the end of vacations, beach days, and a carefree attitude that summer always seems to beget.  If spring is the season of new life, then autumn, like George Harrison, reminds us that all things must pass.

The local bike path captures all the highs and lows of the autumnal equinox.  For example, there is no better place to appreciate the colorful pageantry of deciduous trees. They’re right there, at hand.  No need to fight the tolls or endless line of leaf-seeking SUV’s crawling up route 3.

On the other hand, the very same leaves that are a joy to behold can be a nightmare to navigate.  With the path’s edges obscured by decaying flora, if I’m not attentive to the track of my tires, there’s a fair chance that I could end up in a ditch.  Stopping and turning on wet leaves is a hazard every bit as well known to four-wheeled vehicles as it is to the two-wheeled variety.  The leaves also cover the mile markers painted on the path.

The air is indeed less humid and more crisp; the memory of the humidity that is the bane of some folks is as hazy as a sultry summer sky.  But that also translates to cold on my unprotected ears and nose… and fingers and toes.  A moving bike brings its own “wind chill factor” along for the ride.  I confess that I don’t like the cold.

Whereas in summer the path was carpeted with sunlight, the lower angle of the sun casts visually arresting zebra stripes of light across the path.  Luminous to be sure, but dangerous in that it camouflages obstacles in the path.  Speaking of which…

There are plenty of obstacles in the fall, some inducing falls.  For some reason, with the leaves come small branches whose radius seems to be magnified when I feel the thump on my posterior.

The most interesting bit of natural detritus is the lowly acorn.  Out of tiny acorns come mighty oaks, yes, but hit at the right tire angle, a tiny acorn becomes a mighty projectile.  They don’t endanger the rider, but woe to the one who stands nearby as one of these bullets shoots sideways from my bike.  I’m sure I’ve taken out one or two squirrels or other wildlife in my travels.

Those selfsame animals can prove another nuisance.  While they’re out gathering their winter store, I’m riding along simply trying to stay erect in this virtual minefield.  Watching out for them is more than I can deal with while self-preservation is foremost in my mind.

Reflecting on it all, there are a lot of similarities between spring and fall: increased animal activity, more debris to deal with, cooler temperatures.  But where spring means a new biking season is imminent, autumn augurs its end.  Soon, the path will be better suited for cross-country skiing, an activity for which I am ill-suited.

See you in the spring!**


*I was going to call this post “Fall on the bike path” but that would invite a catastrophe that I’m not interested in tempting… or repeating.

** Truth be told, my cycling season has no limits. I’ll see you on the bike path(s) all winter, too.

A BlogSnax© post about a snack

BlogSnax© are quickie posts I write occasionally to keep the momentum on this site. Read all about them here. This one happens to be about a snack, one of my favorites.*

I love potato chips. I eat way too many of them, be they plain, barbecue, sour cream & onion, or salt & pepper. (Note: Pringles don’t count. They are not potato chips. They’re overpackaged compressed industrial waste.) Barbecue chips are my flavored chip of choice. Among those, the primo brand, IMHO, is Route 11.

However, there’s nothing like a plain and simple potato chip, unflavored and unadulterated. After all, they already have a flavor: potato chip flavor! In that category, one brand rises above the rest so supremely that it stands in a class by itself.

Utz Kettle Classics Potato Chips Dark Russets

As we say here in New England, they’re wicked good. And look at the ingredient list:

It doesn’t get any simpler than that: Potatoes, oil, and salt. What else do you need? Nothing! And the flavor is incomparable. If I could only eat one kind of chip for the rest of my life, this would be my chip of choice, hands down.

*I should be more discreet in naming my favorite foods. Whenever I do that, they seem to disappear. See this post for ice cream examples. I’ll take my chances. I think Dark Chips, as we call them in my house, have staying power. At least, I hope so.

A Playlist for “Only Love Can Break Your Leg”

Some readers of my new book, “Only Love Can Break Your Leg“, might have noticed that there is a theme for the chapter titles. Most* are based on titles of songs by renowned Boston area recording artists. Here I humbly present you a playlist drawn from those titles to inspire your reading of the book. (I beg your indulgence for shamelessly citing my personal connections to some of these.)

  • When Things Go Wrong – Robin Lane and the Chartbusters (Ms. Lane is a local legend. I once had the privilege of meeting her and checking her daughter into the children’s Sunday School class I was leading at the time.)
  • Same Old Song and Dance – Aerosmith, Boston’s original bad boys, from their second LP
  • Love Stinks – J. Geils Band (Mr. Geils himself briefly attended my almost mater, WPI.)
  • Freeze Frame – J. Geils Band
  • City Lights – Livingston Taylor (This is a little known gem by an underappreciated Taylor; his brother James sings harmony on the song.)
  • Just What I Needed – The Cars (They hit it big while I worked for WEA, the parent company for their label, Elektra. I worked with the wife of one of the band members, who attended my wedding. I actually got a ride home in the couple’s car, which was THE car from the album.)
  • My Best Friend’s Girl – The Cars
  • Dream On – Aerosmith’s breakout hit from their eponymous first album
  • Roadrunner – Jonathan Richman and the Modern Lovers (This song, like the band, was decades ahead of its time. Members of the band went on to play for The Cars and The Talking Heads. I used the band name, not the song, in a chapter title.)
  • Dirty Water – The Standells (This is a classic one hit wonder… but what a hit!)
  • Musta Got Lost – J. Geils Band
  • I’m Shipping Up to Boston – Dropkick Murphys, featured in the Academy Awards’ Best Picture and Boston-filmed “The Departed”
  • Rocky Mountain High† – John Denver
  • More than a Feeling – Boston (The ultimate air guitar anthem. While I was working for another record label, the now defunct ABC/Dunhill, one of the salesmen brought in Boston’s demo tape. We rocked to it for weeks. Unfortunately, the label didn’t sign them. The album—eventually released on Columbia—went on to become the biggest selling debut LP ever.)
  • Let the Good Times Roll – The Cars
  • Happy Together – The Turtles (This song wasn’t drawn from a chapter name. The book contains a scene at an “oldies” concert, i.e. a concert for people like me. In my first rendition of the story, that was the artist playing. The story’s original name was a paraphrase plucked from the song: “Me for You”. I still like the ambiguity of that name but it was too close to the name of a book and movie released around the same time.)
  • “Big Night” soundtrack – To enhance your appreciation for the North End setting of some of the book, the sumptuous soundtrack to this magnificent movie—the greatest foodie movie ever—is highly recommended.

And, of course, I’d be remiss if I neglected the twin songs that inspired the current book title:

Rock on! And read on!


* It wasn’t practical to name all the chapters after local songs. It would have required either extensive research involving even less well known songs or changing the content of the chapters. Neither prospect appealed to me.

† Okay, so it has no connection to Boston. But I did I use it in a chapter title. Besides, I like the song. 🙂

New book: “Only Love Can Break Your Leg”

(Apologies to Gene Pitney and Neil Young.)

My new book has just been released on Amazon. You can find the paperback here and the Kindle version here.

This novel is a straightforward romantic comedy. Don’t expect any messages, life lessons, or philosophy. Instead, I hope you find romance along with a few laughs… all accompanied by a series of minor mishaps by our protagonist. This was intended to be light summer reading but it was delayed. However, summer is not over as I write this so there’s still time to sit on a beach (maybe in a sweater 🙂 ) and get lost in someone else’s romantic misadventures.

Who couldn’t use that these days?

In Memoriam: Frederick Buechner

(JUL. 11, 1926 – AUG. 15, 2022)

This world has lost a giant. A giant of writing, a giant of speaking, a giant of faith. Frederick Buechner was a teacher and a preacher, a memoirist and a novelist, a wit and an intellectual, a man of God and what Mark Heard might have called a “profane saint”. There isn’t enough room here to list all his honors, never mind his prolific written output. (You can read his Wikipedia page for that.) It’s enough for me to say that his writing changed my life. I’ve never read anyone who was more honest, more challenging, more comforting, and more eloquent while doing all that.

Pulitzer prize winner Annie Dillard called him “one of our finest writers.” She’s absolutely right, but that’s just part of the story. His authenticity about his struggles with life and faith and God set him apart from other writers, thinkers, and theologians. He was a modern-day Jacob, wrestling with God but sharing the experience with anyone who was wise enough to listen.

The great thing about the written word is that it survives long after the scribe is gone. Mr. Buechner’s words were no “scribbling in the sand.” They will be set in stone and read by many for as long as time endures because we will always need them. I commend those words to everyone’s attention.

I trust that upon his passing, he heard the words, “Well done, good and faithful servant.”

AI Addendum

Little did I know when I posted last week’s column on the dangers of AI running our lives that I’d experience the most egregious example of genuine AI stupidity this week.

I was visiting a friend where there was an active Alexa unit nearby. We told it to play a couple of songs we wanted to hear, which is about all an Alexa unit is good for IMHO, although that feature isn’t worth the pitfalls it presents in terms of loss of privacy and security, but that’s a whole ‘nother post.

When it was time to leave, I thought I’d let Alexa bid adieu for me. I said, “Alexa. Play ‘Hello, I Must Be Going’ by Groucho Marx”. Well, Alexa is a young thing and might not be familiar with the brilliant Marx Brothers, nor with “Animal Crackers”, the film whence the song came. She said in no uncertain terms that she didn’t have access to that fun little ditty. Fortunately, she had a another number she was sure we’d find a perfectly suitable replacement.

What did she play for us? Johnny Cash’s rendition of the old hymn, “Were You There?”:

Were you there when they crucified my Lord?
Were you there when they crucified my Lord?
Oh, sometimes it causes me to tremble, tremble, tremble.
Were you there when they crucified my Lord?

I’m failing to make the connection, either between the hymn about the crucifixion of Christ and the song I requested (unless a blasphemous reference was intentional) or between the estimable man in black and the outrageous man in the greasepaint mustache, but that’s Alexa for you.

Sleep well knowing she’s listening and AI is in control.

Artificial Intelligence or Genuine Ignorance?

[A genuine Blog Snax© post!]

We’ve been told all along that AI will be controlling our lives eventually. It will drive our cars, determine our medical care, identify us by our appearance, as well as our purchases and preferences.

Unless there are incredible leaps in the technology, the future is bleak, based on my observation of the current use of AI.

Example: On Instagram, one of the few social media platforms I subscribe to, I’m inundated with cat and dog videos. I have less than zero interest in cat and dog videos. They annoy me no end. I’ve never watched one, much less lingered on one, which would supposedly trigger the “swamp this guy with cat and dog videos!” trigger. I don’t buy or search for cat or dog related products. So why does Instagram insist on showing me these videos?

There are countless clothing ads and recipes yet I’m the last person anyone would call a clothes horse (99% of my clothes were free and have dates on them going back to the 80’s) or a foodie (my idea of a gourmet meal is a burger and fries from a now defunct establishment).

Hair styling, knitting, jewelry, colleges, souped up cars and trucks, and so much more that are wasted on me. Why? AI.

Then there’s Amazon. I’ve vented on this before. (Buried somewhere deep in this post.) When you buy something, they always give you helpful ideas about what to buy next. First, if you’re letting Amazon decide what you need, punch in, folks. You’re losing it. Second, they always recommend I buy another of what I just bought. Coffee maker, refrigerator, cell phone cover? Who couldn’t use another one of those, just in case?

That’s AI for you. Someday, that will be the technology that will guide the surgeon’s scalpel (if there’s a surgeon at all) during your open heart surgery. And driving that bus heading toward me on the highway.

Maybe they’ll show cat videos at my funeral.

Modern movie clichés…

Hollywood is built on the back of clichés. It thrives on the familiar, which is why we get endless retreads, reboots, and remakes, not to mention trite pop culture icons (e.g. comics, board games, toys, and theme park rides) rehashed into lame movie franchises. I once joked with a production company executive that the next frontier of such drivel would be breakfast cereals. (“Cap’n Crunch Meets the Flying Dutchman!”, “Snap, Crackle, and Pop: Crime-fighting Triple Threat!”) I was kidding. He said it had already been discussed. You may yet see the horror flick, “Lucky Charms: They’re Magically Deadly!”

But most movies these days are merely collections of individual clichés. The age-old list of classics include such tired bits as:

  • The L-shaped bed sheets that reveal the man’s chest but not the woman’s.
  • Every room in Paris has a view of the Eiffel Tower.
  • All police investigations must have a scene in a strip joint.

There are many more back in the past but this post is about the newer banalities infecting our streams not the antique ones that used to infest our cinemas. The best way to know a movie effect has achieved cliché status (even better than seeing it repeated endlessly in mass-market studio productions) is when it starts to appear in commercials.

I won’t mention the proliferation of vomiting or profanity, which I’ve dealt with already in previous posts. They’re ubiquitous and gratuitous to the point of becoming clichés.

Here are some of the best ones I can think of off the top of my head:

  • The protagonist casually saunters toward the camera, walking away from a huge explosion that he (or she… but let’s face it, it’s usually a guy creating the mayhem) caused. Wondering where you’ve seen this one? Everywhere!
  • A person falls from the sky and lands in a three-point crouch, waiting to spring into action. Typically, the ground where he lands shatters. Yeah, Iron Man and Thor, I’m looking at you. And countless others, including advertisements.
  • Walking unscathed through the middle of a wild firefight, shooting in both directions… sometimes with arms crossed for some inexplicable reason.
  • Speaking of shooting, there’s the person who dives sideways while shooting. Inevitably, even though he’s flying through the air out of control, he hits everything in sight. On the other hand, he’s untouched by anyone shooting at him. You knew this was a cliché when it appeared in a fake trailer in the movie “The Holiday”. Actually, that trailer includes several popular clichés.
  • A person defies gravity by leaning waaaaay back in slooooow motion to avoid a swinging sword. The character is essentially playing sword limbo. They might also be ducking bullets (yeah, right) but only Keanu Reeves can get away with that one.
  • Viewed from inside one car, another car slams into its side, shocking everyone. Well, it shocked everyone when I first saw it in “Adaptation”. Now it shocks nobody.
  • Important character makes dramatic entrance by opening a massive door, backlit as a silhouette. Cool when Aragorn entered Helm’s Deep in “The Two Towers”. Now? Not cool at all.
  • Someone opens a refrigerator door (or other door, but the fridge does this best) and when they close it, someone (or something) is revealed standing behind it. It was cute in “E.T.” It ain’t cute or scary anymore. It’s boring and unoriginal like all the rest of these.

Scenes like those are so hackneyed, I mentally check out of the movie as soon as I see them. It means the director is lazy and unoriginal and I’m no longer interested in what the movie has to say. But it’s not just scenes. An individual line is enough to send me heading for the exit… or the head. Here are a couple of examples:

  • After an atrocious encounter involving intense emotional conflict that unexpectedly blows up in a character’s face, that person looks at another and says with thick sarcasm, “That went well.” It has now become part of everyday parlance. Or maybe it began there. Either way, it keeps coming at us from what used to be called “the big screen” long after it lost any impact.
  • A surprised character declares, “I didn’t see that coming.” Maybe not, but I did. And I’m sick of it.

The saddest part of this is that, somewhere along the line, each of these was original and effective. “The Matrix” was a gold mine of great shots and effects. By now, all those have been hijacked by lesser movies thus making even the original less enjoyable. I’ve already seen one of my favorite action shots, that of Bruce Willis stepping out of a rotating car in “RED”, botched up in some inferior wannabe clone.

And don’t get me started on movies that show one of the final scenes as some sort of “teaser” at the beginning. That might have been clever once or twice (although I doubt it) but it’s reached epidemic levels. There’s almost never a legitimate reason for it either, beyond the director’s conceit.

There are so many more examples, but I’ve run out of time, patience, and energy all at once.

[Side note: One of the primary indications that my life is sweeping by faster than a Delorean with a flux capacitor is how quickly I get behind on these posts. If you’d asked me how long it had been since I posted one, I’d have said 2-3 weeks. Nope. It’s been six weeks. ((sigh)) ]